This project aimed to develop artistic and curatorial practice beyond conventional art museum and gallery spaces. 

The majority of the work was commissioned from China, and produced for and installed transculturally at site-specific western working venues with their existing historical, cultural and religious connotations. These venues include a library (Wang Yuyang, Young), a football museum (Yang, Liu Jianhua), a cathedral (Zheng) and outdoor spaces, such as the world’s oldest inter-city railway station (Luxury Logico), with their existing historical, cultural and religious connotations. This project questioned and re-defined the conventional ‘display of art’, and interrogated the distance between art and life. It brought to the audience not only the latest development of Chinese contemporary art, but also an understanding of recent socio-political changes in China within a global context.